A film can be entertaining and deal with serious issues at the same time. How is this revealed in the film 'Whale Rider' directed by Niki Caro?

Based on the novel by Witi Ihimaera, Whale Rider is an uplift and entertaining contract that tells the story of a small Maori sept, lively on the east coast of New Zealand in Whangara, who show up to have lost all sense of faith and wager in the traditions and beliefs of their culture. The Whangara legend of the whale rider dates nates many years to when the fabled Maori hero, Paikea, appeared on the back of a whale and established their Maori state. Now, oer one thousand years later, the current generation of the Maori tribe are struggling with the pressures of the modern world and are in desperate exigency of a strong leader to service of process inspire and guide them. They lack enthusiasm and in cabaret to prevent the total loss of this culture, a new leader is needed to be recognised to lead the people back to understanding the importance of the existence of their culture. Koro, the elderly chief of the tribe, understands the need for a new leader - someone who will re-awaken the tribe and renew its lost strength and identity. The leader appears in the division of young Pai, played by Keisha Castle-Hughes, Koros beloved grand daughter.



However, Pai fails to be recognized as the new leader as she is a girl, and her Maori tribe is still very much dominated by the notion of a patriarchal society.

Whale Rider is an entertaining film consisting of all the main features of a typical, popular movie, including an interesting maculation and good casting. These factors help create an appeal to a clean broad ranging audience. However, it is important to note that the film also functions on a much deeper level. Many serious issues are incorporated into the story line of the film and this additional...

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