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Monday, February 4, 2013

Impressionism

IMPRESSIONISM
Impressionism was a 19th-century art movement that originated with a group of Paris-based artists whose self-reliant exhibitions brought them to prominence during the 1870s and 1880s in spite of harsh rivalry from the art community in France. The name of the style is derived from the serviceman action of a Claude Monet work, Impression, soleil levant (Impression, Sunrise), which provoked the critic Louis Leroy to coin the terminal in a satiric review published in the Parisian newspaper Le Charivari.
Characteristics of impressionist photos include relatively small, thin, yet visible brush strokes; open composition; ferocity on accurate depiction of light in its changing qualities (often accentuating the proceedings of the passage of time); common, ordinary subject matter; the comprehension of movement as a crucial element of human perception and experience; and unusual visual angles. The development of Impressionism in the visual arts was soon followed by analogous styles in other media which became known as Impressionist music and Impressionist literature.
OVERVIEW
Radicals in their time, early Impressionists violated the rules of academic painting.

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They began by constructing their pictures from freely brushed colours that took precedence over lines and contours, following the eccentric of painters such as Eugène Delacroix. They also painted practical(prenominal) scenes of modern life, and often painted outdoors. Previously, still lifes and portraits as wholesome as landscapes had usually been painted in the studio.[1] The Impressionists found that they could beguile the momentary and transient effects of sunlight by painting en plein air. They portrayed overall visual effects sooner of details, and used short broken brush strokes of mixed and elegant unmixed colourâ€"not blended smoothly or shaded, as was customaryâ€"in order to achieve the effect of intense colour vibration.
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