In this response, the change in Botticellis imposture work and influences through his lifetime as an artificer depart be exhibited. Basically, from birth, Sandro Botticelli was brought up to paint. His father put him under the artists direction of Fillipo Lippi when he was 14 who was the most admire Florentine artist of his time. Due to this, Botticellis art flair was heavily influenced by him. He taught him a variety of techniques such(prenominal) as panel paintings and frescos, also teaching his about the archetype of linear perspective. In his 20s, Fillipo Lippi left Florence and Botticelli then better the soft figural Style he learnt off him. He then studied the sculptural ardour of Antonio Pollaiulo and Andre Del Verrocchio and adapted their styles into his work producing beautiful painting of figures with roundness.
In the early years of Botticellis art career, his works follow the humanism style which focuses on the human figure rather than on space, this style was very(prenominal) famous in Florence at the time. Works like St. Sebastion, 1474 submit this occurrence style of emphasising the human figure.
The next style that Botticelli cerebrate on was painting classical mythology and gods.
At the time of these particular paintings, he was working for the famous Medici family which paid him to paint representative and religious paintings. The changes in his art at this time were influenced by the experiences he had in his life which was being influenced by neo- Platonic views. Botticellis style was significantly different from the other reincarnation painters who concentrated on painting the existence of hot homo in a world illuminated by new perspectives and opportunities. He chose to create a classical universe that was supra all an evocation of the past of to escape from reality.
Up until 1480, he was using his previous style, but a new style called frescos had emerged. The first of his frescos was St.Augustine which is in the Church of...If you want to get a full essay, order it on our website: Orderessay
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